Saturday, February 11th, 2012


Taken from a storming 2 hour set at [Burning Man's] Opulent Temple in the Black Rock Desert this past summer, Carl Cox released his debut Global Underground mix album, ‘Black Rock Desert,’ on January 25th, 2010.

How one welcomes the New Year varies in significance depending on who you ask. For some people it’s just another day on the calendar; whereas, others may view it as a precursor to how one plans on spending the rest of the year. Everyone at Roseland Ballroom on New Years Eve brought in 2010 with a monstrous countdown followed by a heart-pounding set by none other than New York favorite, Paul Van Dyk.

A 15-strong-track album of flammable-fresh at-home and in-club orientated music, it will again bring F&P’s name to the very epicentre of the dance scene. Filo & Peri have brought some of the world’s finest (and previously undiscovered) singers and songwriters into the spotlight.

Although Paul Van Dyk’s musical masterpieces can increase your heart rate to a weight loss speed his live show adds another dimension to the equation. Backed by two live drummers (one on each side of the stage), three movie screens, and multi-colored lasers, PVD’s staggering Central Park show was the perfect medicine for that end-of-summer blues.

The eleven captivating songs on Shontelligence were recorded over a two year period. Co-written with producers Sturken and Rogers, the album presents an array of songs which display Shontelle’s depth and versatility; like the motivational anthem, “Battle Cry,” also featured on a compilation album inspired by President-Elect Barack Obama’s campaign called Yes We Can: Voices of a Grassroots Movement, and “Life Is Not An Easy Road,” a reggae-influenced track that encourages strength in the face of adversity.

“I think the band is without a fucking doubt a million times the best it’s ever been. As long as people get off on coming to the concerts, I’ll forgive them for not buying the records.” Liam’s cheeky arrogance may seem disproportionate to the band’s success stateside, but to the 500 thousand people who immediately bought tickets for their concerts the day they went on sale, Oasis is still the dog’s bollocks.

Over two decades have passed since Rock and Rap music first collided when a young Run DMC covered Aerosmith’s “Walk This Way” off their 1975 album, Toys In The Attic. At the time, Rock music was flourishing; whereas, Rap music was still trying to make a name for itself in the music industry. The two [...]