Love 2 is a dynamic collection of songs demonstrating the band’s sonic range, and when performed live becomes one part of the kaleidoscopic laser show which continues to amaze audiences around the world.

Playing raw, energy-infused melodic rock music, Eriko (guitar and vocals), Akiko (bass), and Kumiko (drums) have been making a buzz all across Japan since their 2005 major label debut. Now, with their latest Oricon chart-topping album “Kokuhaku” (Confession), they’re ready to infect North American fans with their catchy take on girl-rock power.

Filmed at the Encore Theater at Wynn Las Vegas, this extraordinary concert features performances of over 30 songs from Beyoncé’s three multi-platinum solo releases, Destiny’s Child catalog and a few surprises.

For 8 years Sullivan Room has been providing New York City with a valuable service. It has become a safe haven for those club goers that don’t like putting up with pompous door men, rude bartenders, and annoying crowds.

The Sunny weather has come back to Gotham, and what better way to kick off spring break 2010 than partying with Miguel Migs at New York City premier underground nightspot Sullivan Room.

You might say that AM is an artist who brings together the best of all possible musical worlds, rippling through classic roots sounds — AM pop and rock, obviously, and English Invasion stuff, or steamy soul/R&B persuasives and more and more of late the aerified melodic athletics of Brazil’s post- bossa nova tropicalistas. Yes, you might say that, but putting it that way, one risks sounding kinda corny.

Maura Kennedy, one-half of the folk-pop mavens, The Kennedys, released her first solo album on Planned Effervescence Recordings on January 19, 2010. Parade of Echoes is a thirteen-song soliloquy to the light and dark sides of pop, cast in the brilliant sheen of her carillon harmonies and bell-like lead vocals.

AT SEA’s captivating audio presence can be likened to a conglomeration of Jeff Buckley meets Muse meets Pink Floyd. In the spirit of fun — the band is unafraid to explore new territory in all directions, creating both walls of sound and quiet ballads, and performing in various configurations, stemming from an intimate one-man unplugged gig to shows housing a full–band-with- occasional special-guests appearances. “In the end, it’s about taking the listener on a ride,” says Jason, lead vocalist and founding member.

Uplifter is the ninth studio album by American rock band 311, released on June 2, 2009 by Volcano Records. It is the band’s first album in nearly four years, the longest gap between albums in 311′s career.

While getting hit by a “HA-DOU-KEN” or “SHYO-RYU-KEN” may land you in the hospital being pounded by a “SONIC BOOM” can leave you wanting more like it did for a packed Santos Party House when the Boom Boom Satellites (BBS) unleashed a barrage of audio mayhem on the big apple this past November.

Also known as the “Techno Capital of Norway,” Tromsø has produced many talented musicians like Bjørn Torske, Frost, Kings of Convenience’s guitarist/songwriter Erlend Øye, and most notably Röyksopp’s Torbjørn Brundtland and Svein Berge, who in late November lit up New York City’s Webster Hall brighter than Tromsø’s winter skies.

UnRated NYC caught bassist Geoff Council, drummer Jeff Olson, guitarist Andrew Burns, and lead vocalist/guitarist Jason Brody on stage at The Suffolk in late October performing tracks off their self-titled EP to a group of enthusiastic concert goers.

If her music is uncommon, so is Maiysha’s back story. Born to an attorney father and a TV journalist mother, Maiysha grew up as a self-described “Cosby kid-I have no shame about it,” she says, “to the extent that my parents even nicknamed me Denise, because I was a little quirky, with weird outfits and big hair.”

The Almost’s second album for Tooth & Nail /Virgin Records began taking shape just as soon as the band came off the road after touring for their 2007 debut, Southern Weather, including a stint on that summer’s Warped tour.

I never would have thought that 10 years down the road my adrenaline filled body would be standing front and center at New York City’s majestic Highline Ballroom watching a mature Jakob Dylan perform “6th Avenue Heartache” before a sea of lively fans.